Show No Show: "The work is heartfelt and asks a lot of questions about the relationship between two people. It's a beautiful piece by two talented dancers."
Halo: "The tender and timid dancer interacts with the hoop and gives, to what seems to be an inanimate object, great significance."
Show No Show: "The dancers caught the viewers' attention from the first seconds and for the duration of one hour were able to convey to the audience the entire range of feelings and emotions that appear in the relationship of two people."
Halo: "Halo fell into the never-seen-before category even after my decades of modern dance watching...a tour de force performance."
Halo: "To describe Gabrielle Revlock’s “Halo” as a woman with a hula-hoop doesn’t convey the mesmerizing effect she creates.
Halo: "Gabrielle Revlock brings us back to physical delight and the amazement of physics."
I replaced him with a lamp: "Her gestures took on a blink-and-you-miss-it rhythmic quality, growing more graceful and performative as the piece continued."
Show No Show: "This final scene is all the more haunting because we want to see these two dancers on stage together."
Show No Show: "I had the sense that I could write dozens of pages about the hour in the theater and still not cover it all."
Show No Show: "It’s a smart, funny dance piece tracking a relationship, or relationships, through a series of well-expressed interactions."
Show No Show: "Watching Show No Show at FringeArts is a pleasure."
The Dance Apocalypse/Solos: "Nothing they do is easy to grasp, it’s not entertainment and they don’t offer you a way to think or perceive. They just present themselves freely in the most sincere, ironic, doubtful, experimental way they can."
The Dance Apocalypse/Solos: "Like everything else about The Dance Apocalypse, it’s hilarious and manages to be outrageous, provocative, and intimate all at once."
The Dance Apocalypse/Solos: "For me, the magic of The Dance Apocalypse/Solos existed in precisely the way that both Revlock and Bindler managed to not only continually blur the line between absurdity and reality but more importantly how they managed to use comic absurdity as a means of arriving at very real and genuine places."
The Dance Apocalypse/Solos: "Gabrielle Revlock channels awkward beautifully with memories of childhood."
The Dance Apocalypse/Solos: "What had been somewhat funny became repulsive and then a little funnier as she hula-hooped while reading from a list of apologies (a 12-step variation on the speech thanking supporters) and heroically kept the hoop spinning as she exited through a string curtain."
Sauwrie: "Nicole Bindler and Gabrielle Revlock (with a bright red riding whip) go for broken-bad with Sauwrie and come out gloriously on top."
I made this for you: "What was bold about the show was Bindler and Revlock’s willingness to free themselves from typical choreographic forms."
I made this for you: "Brilliantly conceived, choreographed, and performed."
The Dance Apocalpyse: "Wildly entertaining — I couldn't keep my eyes off of the two. Their unpredictability was captivating."
CardioCreativity: "Perhaps the most valuable and rare quality of CardioCreativity was that it frequently elicited sheer joy from everyone in sight."
CardioCreativity: "I walked in not knowing anyone, and left feeling like I had just made 30 new friends."
Confetti: "It was a beautiful metaphor for any choreographer trying to understand the changing relationship between audience and performance."
The Dance Apocalpyse: "I admire their dedication to challenging a given structure, and the humorous way they shed light on our expectations and assumptions--our ways of viewing (and judging!) work."
Can Be Found: "Revlock has tackled with humor and invention the intriguing challenge of rendering the dance space more ageless than it was before."
Halo: "Revlock’s thoughtful construction of each action coupled with her assured, doe-eyed presence lent an affecting quality"
SHARE!: "Revlock's eccentric and often original choreography."
I made this for you: "Gabrielle Revlock and Nicole Bindler’s exuberant, brash, crowd-pleasing, insidery, rambunctious I made this for you demands its own space. It was showy, it was sprawling, it literally blew the doors of the space open."